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Oblivion - digital dl

by Battered Suitcases

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1.
Normal 02:49
Normal (Sharon Labor) I’m as American as Saturday Night Live Just another sad sort Choking on the pie I step up to plate I never understand why I can’t hit that homerun It’s just another pop-fly I’m as American as Marilyn Monroe Just not sure what to make of GI Joe I hollered eenie meenie It won’t let me go Feel like I’m stuck on a ride To an all-time low Excuse me if I seem a little amiss But I can’t seem to see myself Clear of all this I try to get along I just end up pissed At all the things people say And the things they dismiss You tell me I’m normal just not normal enough
2.
Slippery 03:26
Slippery (Sharon Labor) Your friends are buried deep and dark Under your last pop blunder Go on, sell ‘em another hack Cause they don’t seem to wonder You better hope they never wake up from the spell that they’re under still we’re scraping off the moss ‘cause it’s our souls given thunder It’s not yours, it never was You return your invitation Like some lost little sheep, Well you ain’t been out in ages Yet you’re sad that we can’t meet So you lie down and you look up With your eyes so sweet Do you think I can’t tell There’s a wolf at my feet It’s not yours, it never was Slippery Here on the high road Slippery Getting’ by I’m on overload Slippery I don’t want to fall below Slippery There’s one thing you gotta know It’s not yours, it never was
3.
Ran It Through Me (S. Labor) And the moments pattered by like windy rain against thin glass And the moments pattered by …..rhythmless. I remember each battered silence, how slowly the pain wouldn’t pass. I could fall to my knees To my knees, to my knees, Fall to my knees, to my knees! But, you’d submerge in delight. So I stand legs locked like two pillars of stone Sink into my numbness Content and alone …..rhythmless. Sweet sanctimonious penance, mmmm… how slowly the pain wouldn’t pass Still I bleed and I bleed and I bleed inside bleed and I bleed and I bleed inside bleed and I bleed and I bleed inside bleed and I bleed and I bleed Me, adrift in the melancholy You ran it through me You tried to do me in You ran it through me You tried to do me in You ran it through me You tried to do me in You ran it though me Brought it to me Tried to screw me, down.
4.
I Don’t Think (Sharon Labor) I see the evening news no I’m not amused watching the cops take down yet another short fuse Tell me please tell me what medicine he used to render his soul so terminally confused? I see the have and have-nots mulling over their lots Is it used, is it trashed is it everything you want Tell me please tell me does it matter to you Or are you just skatin’ by doin’ like you do? I see the sick and the lame living in shame While we’re all led to believe they’re just playing some game Tell me please tell me Do you want to know their names or are they all to you just one in the same? I see the fear and frustration all this useless legislation Lost your rights, lose your mind it’s worldwide gentrification Tell me please tell me What you think you’re gonna do but, you better think quick before there’s nothing left to lose No I don’t think To myself What a wonderful world.
5.
Oblivion 03:34
Oblivion (Sharon Labor) Impaled on a fine line between focus and blur That stark switch lost within split seconds in time I want to say here for the sheer, I want to stay here for the sheer For the sheer Oblivion of the space... Crystal clear crunch smooth restless abandon On the same tick of the clock it all seem to stop Motionless suspension, failure to mention Thoughtless sole intention, sole intention, soul intention Mmmph and I am given… As blissful as serious as first love, divine Alluring still thirsty, oh I’ve run out of time Drenched quenched benched in by boundaries of limitless desire… This feverish spin. I turn as the world, Oblivious… …to my dizziness
6.
Say Uncle 03:20
Say Uncle (Sharon Labor) Most of the time I can’t escape the strife At every turn I’m sliding up against somebody’s knife All the butterflies in my stomach have died And I ain’t got nothing left worth a goddamned fight I wish I was brave, like my mother Despite the lack of air, she never smothered Truth ain’t nothing but lust and disgust Compromised again by someone I trust My brittle heart’s broken lying in its own dust My head hangs down it’s underhanded, unjust I wish I brave like my mother She always had her own back, she never needed another The desperate mind of love prohibited Starving demented magnetically dark Rapes its victims painfully slow Secretly festering in puddles of un-pure desire Reeking of emotionally unclean Continually misunderstood feeling Crying in alibi pain Suspiciously alone Tormented. Everything turns out so hollow and mean A little unholy and a little obscene One thing I know there ain’t no difference between Holding on tight or letting go of your dreams I wish I brave like my mother Solid as a rock no matter what she suffered
7.
Can you Help Me (Sharon Labor) Can you help me brother I need to write a new song Can you help me sister help me sing along Can you help me lover when my words turn out all wrong Can you help me Can you sit tight baby from the darkness to the dawn Can you fly straight baby when everything you got is all but gone Can you do right baby in the face of all that’s wrong Can you Help Me Dove head first Into your pool of deep blue manipulation Soaked in and soggy Stagnate saturation You held me under with one hand free For your egotistical masturbation And I learned how to die Under a wave of infatuation A pain so hard I couldn’t conjure In my darkest imagination But if you knew how much I loved you You wouldn’t feel the pain
8.
I Am Nothing 03:19
I Am Nothing (Sharon Labor) I watch the skies as they fade away Dissipation, drifting, another slow death comes to ruin the day I pretend I’m safely nestled deep and warm within they grey far above the stony men in their castles where they lay but, my mind won’t be fooled, no matter what I say, from my hands to my heart I struggle and betray in the dogma sludge of useless vow I wither and obey I am collected in the interest of the karma that I pay I am nothing more than I am today. I am nothing more, nothing more! Oh baby can you? Oh baby won’t you? Oh baby need you to take me till I’m clean Not part of the machine The everyday empty schemes The wild lonely things, dreams, dreams dreams, dreams. Just take me till they’re all that they seem.

about

Battered Suitcases- Oblivion LP. Phoenix's Battered Suitcases are a force to be reckoned with. One of the things that totally stands out after listening to 'Oblivion' is that Battered Suitcases are a true guitar band to the core. With a burly combination of the bluesey fuzz-fucked, roaring distortion of Jimi Hendrix and the exploding riffy sonic firepower of Ron Asheton, the sheer brawn and velocity of the guitar playing on this record is pretty untouchable. And with 2/3's of the trio being ladies, they're definitely far from a dude band. Musically they contain a unique compound of girl-gang, ferocity mixing elements of muscular poppy Rock 'n Roll bands like Suzi Quatro, the Runaways, The Muffs and The Fastback; with those electrifying, visceral late 60's/early 70's hard rockin' guitar licks that brings to mind bands like Blue Cheer, Hendrix, T.Rex and the Stooges. Ya it's a total a riff fest all the way, but it's only a part of their arsenal. As the Battered Suitcases are fronted by an esteemed poet, Sharon Labor, who uses the band as her own poetic vessel to flex her agitated lyrical tongue. With a biting melodic snarl, her howling sultry voice works incredibly well over the fierce, sonic Les Paul attack hammering out steamroller riffs of straight up loud 'n nasty guitar-driven Rock 'n Roll.

credits

released July 20, 2017

Battered Suitcases is:
Sharon Labor – Bass, poet, lead singer
Jessica Roe – Drums, backing vocals
Frank Labor – Guitar

Special thanks to:
Franky Labor, Jimmy Burgit, Karen Ann Vega,
Tato Caraveo, Tyson Krank, Jason DeWitt and The Lost Leaf, Phoenix, AZ

All songs written by Sharon Labor – ©ASCAP

Additional performances:
Vocal split on “I Don’t Think” – Jessica Roe
Backing vocals on “Normal” and “Oblivion” – Sue Milgrove
Bass on Normal, Rhythm Guitar on “Oblivion” – Sue Milgrove
Backing vocals on “Ran It Though Me” - Jimmy Burgit

Cover Photography – Chris Nelson, Fireline Photography
Cover Art – Tom Spencer
Recorded, Produced and Mastered at Beat Bum Studios, Phoenix, AZ

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Battered Suitcases Phoenix, Arizona

Battered Suitcases describes its music as "uniquely beat rock and roll" and lives up to that description stunningly. The band offers a truly new and original sound, introducing a whole new genre in the wide world of rock 'n' roll. Battered Suitcases songs infuse the sanctity of spoken word with the rawness and pump of rocking punk, with a touch of swagger. ... more

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